Category Archives: Typography

First course of book production has been released

Skilled Workman Posted on by

Today, my first course of book production has been released. I’m building video coursework for using InDesign to produce books on Udemy starting with basic typography. Actually we start with the very beginning, where you must choose: Book size Margins Column width And more This first course of book production lays a solid foundation This is the largest lack in most self-published books today. Much of it is not the fault of the author or designer—it’s the tools they are using. … Continue reading →

Book design needs titling fonts

Skilled Workman Posted on by

Creative Pro has a good article today about titling fonts. Book design needs titling fonts to make your chapter heads, section titles, and such much better looking, easier to read, and provide a more comfortable reading experience. In general, titling fonts use letterspacing which is too tight to be used at body copy sizes. They are carefully crafted to be more elegant. And often they are condensed—though I usually don’t do that. Book design needs titling fonts & … Continue reading →

A FontLab 5 webinar perusal for kicks

Skilled Workman Posted on by

I ran across this FontLab 5 webinar perusal on YouTube today. The recording quality is poor. But it might be helpful. At least there’s a bit of a face and voice with the name. The basics of a Fontlab workflow: new font

Continue reading →

Self-publishers trade publishing dreams need excellence

Skilled Workman Posted on by

Self-publishers trade publishing dreams need excellence to provide better hopes. There are realistic, if remote, possibilities of being picked up by a “real” publisher. But only if you can demonstrate excellent sales, a sizable following, or ongoing usage (like coursework, regularly scheduled seminars, and the like). I thought the image of Victorian woodtype might help drive home the concept of tradepub being a step back to a time which really doesn’t exist any more. Traditional publishing as we … Continue reading →

Biblia, Biblia Serif, new book production fonts

Skilled Workman Posted on by

Today I’m pleased to announce that Hackberry Font Foundry has released Biblia, Biblia Serif, new book production fonts for my friends. This is specifically designed for my cohorts, writers and publishers of Christian fiction and non-fiction. That’s why they are named Biblia. I’m working on a companion sans named Draetha, which is Welsh for preach. These fonts have a long history. In the early nineties, I fell in love with the look of a font named Minister. I … Continue reading →

Briskly: new font release for Fall 2016

Skilled Workman Posted on by

I’ve put this off for years, but it just seemed time. Briskly: new font release is a font made from one sample of my handwriting. An ASCII font (256-character), it will work well for desktop, Web, and ePUB. The only place you will be able to buy it with included ebook licenses is here on this Website. Briskly: new font release is here! There are some interesting aspects to this font. First, some of the characters have a unique slant … Continue reading →

Converting Books to Ebooks with InDesign CC

Skilled Workman Posted on by

Book designers often dread converting books to ebooks — the process of changing a greyscale printed book to various full-color ebooks: downloadable PDFs, ePUB FXL and Reflow, & Kindle books of various flavors from e-ink to large Fire tablet. It often seems a bit like wizard work requiring incantations, lots of smoke, and mirrors. Sad to say, on the Kindle end of things, that’s fairly accurate. Yet things are not as they seem, as InDesign CC has … Continue reading →

Keeping your mind open to creative typographic solutions

Skilled Workman Posted on by

One of the main troubles we have in setting books for readability is the set of largely subconscious rules we’ve learned over the years. In an entertaining and useful article today by Jonathan Hoefler named: How to Use Clashing Fonts He gives us several examples showing why it is necessary to break common “rules” in the interest of both style and readability. In the example he gives above, he shows the use of two virtually identical Dutch Old … Continue reading →

Book typography: The reality of picking fonts

Skilled Workman Posted on by

The basic parts of type Again, we need some more basic language definitions. You can see above how the point size of the type relates to the ascender, cap height, x-height, baseline, and descender. More importantly, you get a glimpse of things that are important in the world of typography. This illustration is from my font design book, Practical Font Design With FontLab 5, which is available in print as well as ebooks at iBookstore, NookBooks, Kobo, Scribd, and … Continue reading →

Book Publishing With InDesign CC: Spiral-bound

Skilled Workman Posted on by

Even after over forty-five years, there’s still that little thrill when you see a finished book for the first time. It’s too bad that Amazon won’t carry them. But, they are the best choice for the classroom or self-study. The spiral-bound workbook I had to cut out the Christian marketing section to get the page count below the 470 page maximum for spiral-bound. The only thing I really miss are the color graphics. To get that (and … Continue reading →