David Blatner defines design in his latest weekly posting on Linked-In. It seems good enough to me so I decided to share it with you. It’s not earth shaking, and has nothing to do with spiritual reality. But my hope is that you find it helpful. David Blatner defines design What is design? Design is not about making stuff look pretty. It’s not about making it “pop” or look cool. Design, at its core, is the practice … Continue reading →
A prayer for a blessed Christmas 2021 is complex. For those of you in the Bride of the Messiah, it’s an exciting time. You can click on the image to the left for a pay whatever you like—if anything— link to a PDF and/or ePUB of a short booklet. It’s exciting as we live in Bible times. This time is as major as the first time Yeshua came to earth in the flesh. As far as momentous … Continue reading →
Araldo is a headline font with spunk for today. I needed something with a little life for my new book production group: Biblia Serif, Dreatha, and now Araldo. This new font family is doing well for me. Biblia Serif and Draetha are both excellent book production font families. In other words, they are not memorable. In fact, if they do their job well, you don’t even notice them. But as I mention in the flyer to the … Continue reading →
Throughout my life as an artist/designer I have been struck with how black and white often provides focus. It’s beautiful visual decision, but it tends to be more difficult than color. Elegance and simplicity are very hard to achieve without being stark and lifeless. The painting on the left is the first one I painted after I met Jesus in January, 1974. Being left-handed, it reads from right to left. The simple exuberance of leaving the chaos … Continue reading →
Leading-Trim destroying traditional typography seems a strange way to start an article on typography. But for the sake of Web developers, who are commonly typographic illiterates, they are toying with changing the historic basis of paragraph spacing, and all line spacing. What set me off is an article I read this morning in Medium, a magazine with which I was unfamiliar. The head and subhead are: Leading-Trim: The Future of Digital Typesetting How an emerging CSS standard … Continue reading →
Almost time to go. Maranatha! I had a little fun with a spring-time t-shirt. Here’s a link. I’ll add the graphics below. Of course, it’s Zazzle so you can use the designs on anything. Front: Over the heart Back: covers the back I pray you have a blessed Passover/Easter feast. He is risen!!!
Continue reading →This is just a quick note about some free font design resources which provide good typographic knowledge. I’m mentioning this because a large portion of my readers don’t come out of a professional graphic design or typographic background. These things are often not known by authors whose background is mostly found in Office and free design apps. The longer you work in page layout, the more important fonts and font design become for many if not most … Continue reading →
The new InDesign update arrives with more than just a bunch of fixes. It gives us new controls for shading and borders in consecutive paragraphs. You can now export a document as individual page PDFs. There are several other things which might interest you. You can find them at Adobe’s What’s New page. Dealing with consecutive paragraphs As you probably recall, if you had shading or borders applied to consecutive paragraphs, you were forced to have a style … Continue reading →
Again, Kindle image size rules change. Not a whole lot, but the new outrageous Kindle image sizes become more understandable. I was reading a Kindle formatting guide, from Amazon, the other day which said full-width images needed to be 3000 pixels wide. This is not that bad. However, in Aaron Shepard’s Publishing Blog today, I read the following paragraphs: But not long ago, I received one of those dread quality notices from Amazon, in this case warning me of … Continue reading →
For the holidays, I set up a 64% Off sale for one of my powerful book design font groups on MyFonts. This includes the font families of Librum, Librum E, Librum Sans, Bookish, Bream, and Bulkr. So, instead of the normal $25 a font/$75 a family, all the individual fonts and families in the Librum Book Design Group are available for $9 per font/$27 per family or less through February 3, 2018. The image on the left links to a copy … Continue reading →