Typotheque: The Science of Typography by Ellen Lupton. She is one of the teachers considered the best. There’s some good information here. But the bottom line is “I’m not going to tell you what I believe.”
Continue reading →Choose a comfortable measure | The Elements of Typographic Style Applied to the Web. Again this is for the Web, but this translates to ebook design also.
Continue reading →A Brand New Release: Adobe Creative Suite 5.5 & InDesign 7.5—a Radiqx Press Ministry Aid Help for authors & teachers publishing in the new millennium The focus of this book is very sharp. It is designed for people who are designing books and booklets with very limited capital and few personnel resources. It is a sharing of techniques for the new wave of author/pastor/teacher/designers who need to get their work published digitally & online. It is designed to … Continue reading →
Now there is some real help. InDesign has been the best page layout tool for print for over a decade now. I was blessed to be in on the beta team for version one in 1999. I can remember how excited I was that there was finally a software tool I could use fluently that fit the way I think. Now InDesign 7.5 for the Design Premium suite CS5.5 is here I don’t know when it will … Continue reading →
What is typography? A good functional definition is very sweet and simple: Typography is the art & craft of making words easy and comfortable to read Some of this has to do with font choices: But ebooks (other than PDF) do not presently allow embedded fonts Some has to do with leading and point size: but ebooks give few controls here, and the readers can butcher that at will A lot has to do with column width: … Continue reading →
Amazon.com: Practical Font Design: Building a set of book design font families eBook: David Bergsland: Kindle Store. My second font design book is up on Kindle now…
Continue reading →Font Design & Typography: Fwd: Promote “Contenu: A font specimen book from Hackberry Font Foundry” by forwarding this message to your readers.
Continue reading →Announcing this all over You may have seen this already, but it is a major piece of work and probably my most mature and sophisticated set of font designs yet. I finally broke down and spaced them for body copy—so they will work well at text sizes [from 9-point to 12-point] without the need to fiddle with the spacing. The design is a contemporary take on oldstyle serif typefaces using Jenson as the mask. The roots of … Continue reading →
No, this is not a step by step. It’s a discussion of the realities of dealing with publishing in the second decade of the 21st century. Specifically, I want to talk about dealing with graphically intensive books in multiple channels. One of the Linked-In groups I’m in has been debating the role of XML in “future-proofing” documents. They are mainly coming from employment at large publishing houses with hundreds or thousands of legacy books—many from before the … Continue reading →
It really helps production efficiency and speed. Great find! Command+Arrow Key on selected pieces moves 100 units This shows my ignorance of things like this, but I just discovered a great shortcut built into FontLab. As I have mentioned many times, moving selections right or left is a constant thing—especially while building composite glyphs and letterspacing a new font. One of my irritations over the years has been the internal debate over whether it is more efficient … Continue reading →