There is no death … there is only a time when your choice has been made—heaven or hell. You need to make that part of your decision-making process. That time could come now—or it might be a year or two—probably not much longer than that. It really is that black and white. This present life we are living in the training place of mankind, where you get to choose where you will end up, is almost concluded. … Continue reading →
I’ve been fighting the stupid Kindle argument more and more lately. Kindle remains stupid, as far as formatting is concerned. Kindle’s immense list of things which cannot be done remains. Worse yet, they continue to strip out a lot of stuff. I’ve come to do a Kindle version with: HTML lists: InDesign does an excellent job of typesetting lists with custom indents and special bullets. They work fine in ePUBs with embedded fonts, but Kindle ruins them. … Continue reading →
Today I’m pleased to announce that Hackberry Font Foundry has released Biblia, Biblia Serif, new book production fonts for my friends. This is specifically designed for my cohorts, writers and publishers of Christian fiction and non-fiction. That’s why they are named Biblia. I’m working on a companion sans named Draetha, which is Welsh for preach. These fonts have a long history. In the early nineties, I fell in love with the look of a font named Minister. I … Continue reading →
Book designers often dread converting books to ebooks — the process of changing a greyscale printed book to various full-color ebooks: downloadable PDFs, ePUB FXL and Reflow, & Kindle books of various flavors from e-ink to large Fire tablet. It often seems a bit like wizard work requiring incantations, lots of smoke, and mirrors. Sad to say, on the Kindle end of things, that’s fairly accurate. Yet things are not as they seem, as InDesign CC has … Continue reading →
One of the main troubles we have in setting books for readability is the set of largely subconscious rules we’ve learned over the years. In an entertaining and useful article today by Jonathan Hoefler named: How to Use Clashing Fonts He gives us several examples showing why it is necessary to break common “rules” in the interest of both style and readability. In the example he gives above, he shows the use of two virtually identical Dutch Old … Continue reading →
Body copy styles The first formatting decisions I will be talking about are for the body copy. This is what Word calls Normal. Many of the Word docs you get to setup will be entirely locally formatted Normal. It is the main content of your book, and it must be comfortable to read. This paragraph style is what produces that smooth type color you need for the background against which the contrasting heads and subheads stand out. … Continue reading →
Today, in this third post on formatting, I want to talk about many things which have been lost in the rush toward ebooks: self-publishing front back matter. This is an excerpt from my book: Book Publishing With InDesign CC Many reader services are no longer written or included. Most of this is simply because of the inexperience and lack of training by the normal self-publishing novelist and writer of devotions. You should take a look and seriously … Continue reading →
This morning I just wanted to remind us that typography is about communication not the shape of the letters.
Continue reading →A continuation of the Kindle formatting issues On one of the Facebook groups I participate in, there’s been some general poo-pahing over my most recent posting on the problems with Kindle formatting. I can understand it because many in that group only upload very simple novels. But the problem may be worse than I thought. So, I thought I better give some samples. In the process I found that Kindle has indeed destroyed the Kindle version of this … Continue reading →
I decided I needed to beat an old drum. Readability is the focus of book design typography. This was the core of curriculum in my digital publishing degree. It’s the center of my graphic design and book design efforts. Without comfortable, readable content, your book has a severe handicap. What is readability? This is all about book design typography. Here’s a little graphic to show you some of the things that influence how easily you can read a … Continue reading →