Tag Archives: Typography

Book design needs titling fonts

Skilled Workman Posted on by

Creative Pro has a good article today about titling fonts. Book design needs titling fonts to make your chapter heads, section titles, and such much better looking, easier to read, and provide a more comfortable reading experience. In general, titling fonts use letterspacing which is too tight to be used at body copy sizes. They are carefully crafted to be more elegant. And often they are condensed—though I usually don’t do that. Book design needs titling fonts & … Continue reading →

A FontLab 5 webinar perusal for kicks

Skilled Workman Posted on by

I ran across this FontLab 5 webinar perusal on YouTube today. The recording quality is poor. But it might be helpful. At least there’s a bit of a face and voice with the name. The basics of a Fontlab workflow: new font

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Self-publishers trade publishing dreams need excellence

Skilled Workman Posted on by

Self-publishers trade publishing dreams need excellence to provide better hopes. There are realistic, if remote, possibilities of being picked up by a “real” publisher. But only if you can demonstrate excellent sales, a sizable following, or ongoing usage (like coursework, regularly scheduled seminars, and the like). I thought the image of Victorian woodtype might help drive home the concept of tradepub being a step back to a time which really doesn’t exist any more. Traditional publishing as we … Continue reading →

Biblia, Biblia Serif, new book production fonts

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Today I’m pleased to announce that Hackberry Font Foundry has released Biblia, Biblia Serif, new book production fonts for my friends. This is specifically designed for my cohorts, writers and publishers of Christian fiction and non-fiction. That’s why they are named Biblia. I’m working on a companion sans named Draetha, which is Welsh for preach. These fonts have a long history. In the early nineties, I fell in love with the look of a font named Minister. I … Continue reading →

InDesign CC 2017 whimpers in esoterically, under the radar

Skilled Workman Posted on by

Yes, I said that InDesign CC 2017 whimpers in under the radar. Version 12.0 has very little for me. Your usage may vary. But, this is all a normal part of the process as software matures. And, have no doubt, InDesign is matured—the best in the field. To restate things, InDesign can now do almost anything you need. It’s been that way for me since CC 2014. The result is that the engineering team adds features which apply to smaller … Continue reading →

Briskly: new font release for Fall 2016

Skilled Workman Posted on by

I’ve put this off for years, but it just seemed time. Briskly: new font release is a font made from one sample of my handwriting. An ASCII font (256-character), it will work well for desktop, Web, and ePUB. The only place you will be able to buy it with included ebook licenses is here on this Website. Briskly: new font release is here! There are some interesting aspects to this font. First, some of the characters have a unique slant … Continue reading →

Converting Books to Ebooks with InDesign CC

Skilled Workman Posted on by

Book designers often dread converting books to ebooks — the process of changing a greyscale printed book to various full-color ebooks: downloadable PDFs, ePUB FXL and Reflow, & Kindle books of various flavors from e-ink to large Fire tablet. It often seems a bit like wizard work requiring incantations, lots of smoke, and mirrors. Sad to say, on the Kindle end of things, that’s fairly accurate. Yet things are not as they seem, as InDesign CC has … Continue reading →

Amazon still doing Kindle book modification

Skilled Workman Posted on by

I received this in an email from Aaron Shepard this morning. I didn’t get permission to copy this, but I’ve done what I can to make sure you know this is Aaron’s writing. Evidently, Kindle book modification is still a problem after they are uploaded in the name of “better typography”. Aaron has some serious questions about this process. It is certainly something of which to be aware. The following quote is from Aaron’s email: One of the problems in … Continue reading →

Keeping your mind open to creative typographic solutions

Skilled Workman Posted on by

One of the main troubles we have in setting books for readability is the set of largely subconscious rules we’ve learned over the years. In an entertaining and useful article today by Jonathan Hoefler named: How to Use Clashing Fonts He gives us several examples showing why it is necessary to break common “rules” in the interest of both style and readability. In the example he gives above, he shows the use of two virtually identical Dutch Old … Continue reading →

Book typography: The reality of picking fonts

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The basic parts of type Again, we need some more basic language definitions. You can see above how the point size of the type relates to the ascender, cap height, x-height, baseline, and descender. More importantly, you get a glimpse of things that are important in the world of typography. This illustration is from my font design book, Practical Font Design With FontLab 5, which is available in print as well as ebooks at iBookstore, NookBooks, Kobo, Scribd, and … Continue reading →