I had a little go’round with a coding geek on the #eprdctn Twitter feed about the use of fonts in ebooks. He was muttering about those #$*&^!%^#$ designers, and I ended up biting off the tips of my fingers to avoid cutting him a new one to drain all his pent up hostility. It was hardly a fruitful conversation. But it got me thinking. The real problem with the new publishing is the layout quality The quality … Continue reading →
Drop caps One of the typographic devices used to indicate the beginning of a story or chapter is the drop cap. In this use, the first letter or letters of the first paragraph is (are) made large enough to be three, four, or five lines of type tall and inset into the paragraph. The first-lines of that paragraph are tabbed around the letter or letters. First of all, this is very easy with page layout software. InDesign’s implementation … Continue reading →
First-line indents I have briefly touched on first-line indents for body copy paragraphs in talks about styles. This is the preferred method of telling the reader that a new topic sentence is being developed—a new thought expressed. I also mentioned my practice of adding a point or two after paragraphs to help the reader see that first-line indent on a busy page. I realize that this is anathema to many, but they should get a life. If … Continue reading →
For the past two decades, I have taught digital publishing skills. For the past fifteen years I have written and published books, both traditionally and on-demand. I have taught skills to present digital content transparently, effectively, and gracefully. I’ve learned how to present reader-centered books to my students and followers. But Word [and word processors in general] cannot do this. There are skills and capabilities that are necessary which are simply not available in Office. Here’s a … Continue reading →
Niche writers to limited markets Here we begin to see the modern reality of publishing. The change is of the same type as we saw with the conversion in television from three, then four, gargantuan mass-market networks to the current reality of thousands of channels on cable and satellite. The same thing has happened in magazines where there are now over 10,000 magazines in the US alone. There are now millions of active blogs. We are currently … Continue reading →
It’s very sad, but very beautiful if you were involved in print. An ultra-nostalgic look at the transition from print to ebook. It laments that ebooks aren’t permanent. But overall it’s a good video and thought-provoking. The future of print…epilogue
Continue reading →What follows is an excerpt from my new release, Writing In InDesign Second Edition. ******************************** Typography determines reader reactions It goes far beyond your font choices—important as they are. This is the first and most important thing you must understand. You are not only trying to control or at least predict the reaction of your typical reader to your content. You are also working you make your book a comfortable, friendly, and familiar part of the life … Continue reading →
Be very careful with your column choices—especially in books. (It’s the main reason blogs and ebooks are so hard to read.) Your focus must be easy, comfortable readability. Generally, the asymmetrical (off-center) layouts with wide margins are good. Of course, you can go crazy and make things totally illegible. Modern style tends to be chaotic, splashy, and overly complex. But your innate taste and discretion should keep these tendencies in check. The problem, of course, is that taste … Continue reading →
Make the margins bigger | I love typography, the typography and fonts blog. The I Love Typography blog is often over the top. Even as a typographer who has focused his career on type—both font design and page layout (the two parts of typography)— this blog is always fun, often beautiful, but commonly irrelevant to my daily work. On the other hand, the item discussed in the posting this morning is critical to excellence in typography. Margins … Continue reading →
The greatly expanded and rewritten Writing In InDesign Second Edition has been released Buy it Now! Versions available so far Spiral-bound premium workbook $19.99 7×10 perfect-bound paperback $17.99 Kindle (with embedded fonts for Fire) $7.99 (Available in the Kindle Lending Library) What started as a relatively small update turned into a large scale revision when I began adapting my popular Writing In InDesign book to the responses and suggestions I received. I have been pleasantly surprised at all the people … Continue reading →