Possibly the biggest news in publishing for ministries and non-profits is that you can start out free. All it takes is an iMac or equivalent (Mac or PC) and InDesign You will need to do a bit of study. It will take some work. But, it can be done easily. The Adobe apps are all available for less than $50 per month. There is also educational and non-profit pricing. You can do this!
Continue reading →I just tried something and was surprised by the result. After learning this morning that I don’t actually buy books from Kindle, but lease them, I wanted to see what my options are if I actually buy an ePUB. More than that, as a font designer, I wanted to try an ePUB with embedded fonts. So, I simply exported an ePUB with embedded font from my KF8 version of the book and emailed it to myself. Then … Continue reading →
How have things been revised: This piece you are reading did not appear first as a book in the traditional sense. These paragraphs were first released as the first posting of a new series on my blog, The Skilled Workman, in April of 2011. There was a link to a free downloadable PDF version at Scribd. The intention was a fully developed book after I was given the complete vision to share. I ended up with six of … Continue reading →
No! You can’t do it in BBEdit or Word It all comes back to the print/ebook divide. That divide is only apparent to the book designers. For the readers, a book is a book. Ebooks are cheaper (or should be). Normal printed books are high resolution, typographic marvels. But to the reader, a book is a book. For authors, publishing only a print version or only an ebook version is worse than silly—it’s foolish. If you want … Continue reading →
I posted last week about the dangers of allowing your ebook to degenerate into a Website. After all, “An ebook is just encapsulated HTML & CSS.” It was basically a plea to design your ebooks in InDesign. I missed making my core point. I wasn’t saying that code geeks cannot design ebooks. I was saying that most coders are not designers, but technicians. One of my commenters (Tom) suggested that writers are just as bad as coding … Continue reading →
I had a little go’round with a coding geek on the #eprdctn Twitter feed about the use of fonts in ebooks. He was muttering about those #$*&^!%^#$ designers, and I ended up biting off the tips of my fingers to avoid cutting him a new one to drain all his pent up hostility. It was hardly a fruitful conversation. But it got me thinking. The real problem with the new publishing is the layout quality The quality … Continue reading →
I was working on my best-selling book this morning, Practical Font Design, Third Edition. It’s an ePUB with 266 graphics in it—almost entirely screen captures—showing what I am doing in FontLab as I design a font. I design my ePUBs in InDesign CS6 & use the export unchanged I realize that’s anathema to many of you code geeks, but the ePUBs out of InDesign are now more than good enough—if you design within its limitations. Now that … Continue reading →
Before I get started with the basics of formatting I need remind you about the goal: a beautiful book which is comfortable to read. You need a customized set of styles to enable you to keep your book consistent and give you global control over the entire book as you format. This is only possible if you first understand how to design paragraphs. I will help you through the basic set up of styles (to implement your … Continue reading →
Bleeds A bleed is needed when you produce a design where the ink goes to the edge of the paper. (On-demand printers will normally not allow type to come any closer than .375” or .5” from the edge of the trim size.) Printers and printing presses can never print to the edge of the paper. The ink or toner will run off and build up on the back side of the paper. This will not only ruin … Continue reading →
Document size [page size] In traditional publishing, there were many more options. This is one reason why traditional publishing costs so much more. Virtually all traditional printing is custom work—to meet the needs of the individual designer & various paper and press sizes. We give up some of that freedom to control costs as we move into on-demand printing. For my purposes here, I am talking about Createspace and Lulu. For the on-demand print publisher, many costs … Continue reading →