Here’s a link to a German self-publishing house that now is available in the US. It is a company named tredition. It seems like an inexpensive German vanity press — or maybe not. As usual, the devil is in the details. I imagine that as you get into letting them help you, the costs will go up very fast. But $299 to publish a hard cover, paperback, and ebook is a very good price. As a font designer, I enjoy … Continue reading →
Printing consolidation necessary: Xerox buying R.R. Donnelley This is all part of the consolidation necessary to make these hugely expensive presses run. Hardware prices make printing consolidation necessary. The article in Publishing Executive only covers magazines. But it goes much further than that. In my world, everything is on-demand. This includes the on-demand presses, and the four ereaders: Kindle, iPad/Phone, Nook, & Kobo. We’ll see this change here also. Someone will take on Ingram, just like someone will take … Continue reading →
Gizmag has an interesting article today about color e-Ink. They claim it will not have any impact on ereaders. I hope they are wrong. Paperwhites, and their ilk, are one of the largest drags of ebook publishing today. They are great for simple novels and white papers. They are quite bad for non-fiction with its need for complex lists, large tables, color images, and so on. Color e-ink could bring the most popular ereaders to a new … Continue reading →
For an Author Website I recommend a WordPress blog — A traditional static site starts at about two grand. But, a fully interactive, responsive site with e-commerce can easily start at $50,000 US and go much higher than that. Obviously, this is much more than most of us need as authors—maybe. It’s also far beyond our budgets in most cases. If you want a good article on excellent author sites, from a worldly point of view, here’s … Continue reading →
Mumble, grumble, PITA, ;oebpa;b/ hkvo… Ok! Now that’s off my chest. I just had fits with a Kindle book for a client. I use to do them first (after the print/PDF versions were complete) because they were such a pain in the a…, but I’ve begun doing them last because they’re just bleah. Working with Kindle formatting seems like stepping back a decade. For me, the ePUB problems have largely been solved: paragraph shading, anchored graphics, embedded … Continue reading →
Even after over forty-five years, there’s still that little thrill when you see a finished book for the first time. It’s too bad that Amazon won’t carry them. But, they are the best choice for the classroom or self-study. The spiral-bound workbook I had to cut out the Christian marketing section to get the page count below the 470 page maximum for spiral-bound. The only thing I really miss are the color graphics. To get that (and … Continue reading →
I’ve published a sample of the new book on the Adobe servers. It’s about 75 pages of the various sections of the book. If you are interested in a review copy I recommend the PDF is reader’s spreads with the full color graphics. Let me know if you are interested. Here’s a link to the page with more information and purchase links. If word processor book production is taking up too much time and the results are … Continue reading →
Graphic needs for Print, PDF, ePUB, & Kindle KFX For book publishing, what you need to understand about graphics is how usage varies in the different formats. You’ll need to hand-adjust to produce the graphics for the various formats. Automation causes many problems. I’m just going to list the four options and their requirements, best formats, and so on. Greyscale print with color cover Lulu & Createspace, plus professional on-demand like Lightning source: You need to be careful. … Continue reading →
Today, in this third post on formatting, I want to talk about many things which have been lost in the rush toward ebooks: self-publishing front back matter. This is an excerpt from my book: Book Publishing With InDesign CC Many reader services are no longer written or included. Most of this is simply because of the inexperience and lack of training by the normal self-publishing novelist and writer of devotions. You should take a look and seriously … Continue reading →
This is part two of the new series on page layout from my new book, Self-Publishing With InDesign CC. We continue with two of the most important controls for readability. To the left is an example of bad design. The body text is Berthold Baskerville Book 8/12, while the caption is Adobe Garamond Pro 6/7. So, no one can read it—too small. The columns are so narrow that there are only 7-9 words per line with the average closer … Continue reading →