Category Archives: Typography

Great free resource for old books on calligraphy & penmanship

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I found this link in an article on CreativePro this morning. International Association of Master Penmen • Engrossers • Teachers of Handwriting This organization [IAMPETH] began as a group where penmen could get together and share techniques and ideas not just about doing fine penmanship, but teaching the art as well. In this day of computerized type, hand pen work is truly amazing to those who can barely use a ballpoint. Here’s an example from their page of rare books. This one is … Continue reading →

The Book Designer’s Book Typography and Fonts package

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Make your book professional with the Contenu/Buddy production group Self Publisher Book Typography & 16 Fonts Only $49.99 or 12 Radiqx house fonts for book design Only $29.99 For self publishers the conversion from Word to InDesign is a huge leap. The goal is a professional look to their book designs, but immediately the problems of typography raise their head. In Word that is not so much of an issue because the typography controls in Word are … Continue reading →

Graphics In InDesign: an excerpt from “Practical Professional Self Publishing Handbook”

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This is the first portion of the new Practical Professional Self Publishing Handbook due out before summer this year. InDesign is the true replacement for FreeHand Many designers are still upset that Adobe took FreeHand off the market. We remain convinced that FreeHand was a far superior vector drawing program to Illustrator. Actually, I bring good news. InDesign is actually more closely related to FreeHand than it is to Illustrator. Ole Kvern and I have commented on this many … Continue reading →

Typography does not start with font design

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This is the first major confusion in typography. Many believe that typography is font choices. They spend a huge amount of time on which fonts to choose, how fonts developed historically, and the reader reactions to these fonts. This indeed is a good portion of typography, but this pursuit misses the entire point. The point of typography is to use words to communicate. Font choices can help—but this is really a small portion of what we need … Continue reading →

Formatting your books and ebooks: DIY or paid?

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Most of you have probably read one of my rants about the difficulty and absurdity of producing finished books in Word. Except for Smashwords, where this is required, you should never use Word for final output. So, what are your options? Do it yourself or pay someone else There are several factors involved here. You need to carefully look at your needs and choose what works best for you. But the bottomline is certain. Sooner or later, … Continue reading →

Using embedded fonts in ePUBs for free: DIY Publishing wins!

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I just tried something and was surprised by the result. After learning this morning that I don’t actually buy books from Kindle, but lease them, I wanted to see what my options are if I actually buy an ePUB. More than that, as a font designer, I wanted to try an ePUB with embedded fonts. So, I simply exported an ePUB with embedded font from my KF8 version of the book and emailed it to myself. Then … Continue reading →

Bodoni: Modern typestyle, a revolutionary cold fish

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Revolutionary styles (to locate them by time) Modern: Bodoni Book These are type styles of the late 1700s and early 1800s, although their influence remains. To call them Modern, as most of the schools do, is silly. They are 200 years old. To call them Romantic (as Bringhurst does) is equally strange for they are cold fish. They are the natural expression of the radical, revolutionary intellectualism of the period. They are built with hard, tightly structured … Continue reading →

Books, even ebooks, need good tools (InDesign CS6)

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No! You can’t do it in BBEdit or Word It all comes back to the print/ebook divide. That divide is only apparent to the book designers. For the readers, a book is a book. Ebooks are cheaper (or should be). Normal printed books are high resolution, typographic marvels. But to the reader, a book is a book. For authors, publishing only a print version or only an ebook version is worse than silly—it’s foolish. If you want … Continue reading →

Caslon & Baskerville

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English Old Style: Caslon MyFonts puts it this way: “William Caslon released his first typefaces in 1722. Caslon’s types were based on seventeenth-century Dutch old style designs, which were then used extensively in England. Because of their remarkable practicality, Caslon’s designs met with instant success. Caslon’s types became popular throughout Europe and the American colonies; printer Benjamin Franklin hardly used any other typeface. “The first printings of the American Declaration of Independence and the Constitution were set … Continue reading →

Writers designing their own books in InDesign? Of course!

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I posted last week about the dangers of allowing your ebook to degenerate into a Website. After all, “An ebook is just encapsulated HTML & CSS.” It was basically a plea to design your ebooks in InDesign. I missed making my core point. I wasn’t saying that code geeks cannot design ebooks. I was saying that most coders are not designers, but technicians. One of my commenters (Tom) suggested that writers are just as bad as coding … Continue reading →