Category Archives: Book Production

Book production getting started understanding typography

Skilled Workman Posted on by

I’m working on new video coursework about using InDesign for publishing. The first course is concerned about book production getting started understanding typography. My concern is reaching my target audience which is you. I’m writing for an elusive niche—people like yourselves who understand the value of the typographic power of a tool like InDesign. As a font designer, I am very much aware of the fact that no software can build typographic communication as well as InDesign with … Continue reading →

Book design needs titling fonts

Skilled Workman Posted on by

Creative Pro has a good article today about titling fonts. Book design needs titling fonts to make your chapter heads, section titles, and such much better looking, easier to read, and provide a more comfortable reading experience. In general, titling fonts use letterspacing which is too tight to be used at body copy sizes. They are carefully crafted to be more elegant. And often they are condensed—though I usually don’t do that. Book design needs titling fonts & … Continue reading →

The importance of designed books in the self-published future

Skilled Workman Posted on by

I read an excellent article this morning on the importance of designed books. Actually, the article does not mention books, but the concepts apply. Here’s a quote from the interviewee, Dave Snyder Design in the most classic sense is a potent business strategy. That’s not to say it’s only about business efficiency. Everything needs a high level of craft, but even that can’t put lipstick on a pig and make people believe the pig is not a pig. … Continue reading →

A FontLab 5 webinar perusal for kicks

Skilled Workman Posted on by

I ran across this FontLab 5 webinar perusal on YouTube today. The recording quality is poor. But it might be helpful. At least there’s a bit of a face and voice with the name. The basics of a Fontlab workflow: new font

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Self-publishers trade publishing dreams need excellence

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Self-publishers trade publishing dreams need excellence to provide better hopes. There are realistic, if remote, possibilities of being picked up by a “real” publisher. But only if you can demonstrate excellent sales, a sizable following, or ongoing usage (like coursework, regularly scheduled seminars, and the like). I thought the image of Victorian woodtype might help drive home the concept of tradepub being a step back to a time which really doesn’t exist any more. Traditional publishing as we … Continue reading →

Biblia, Biblia Serif, new book production fonts

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Today I’m pleased to announce that Hackberry Font Foundry has released Biblia, Biblia Serif, new book production fonts for my friends. This is specifically designed for my cohorts, writers and publishers of Christian fiction and non-fiction. That’s why they are named Biblia. I’m working on a companion sans named Draetha, which is Welsh for preach. These fonts have a long history. In the early nineties, I fell in love with the look of a font named Minister. I … Continue reading →

Tate closes, authors beware, and other normal advice

Skilled Workman Posted on by

I wanted to write a short reminder post about the trials and tribulations of authorship: the news that Tate closes, authors beware of BEA, and other normal advice. This is one of the things we need to do to help each other remember about the dangers [fical] of wandering about in the publishing industry. News like Tate closes, authors beware of BEA, and so on is just normal advice For those not aware, Tate (who is a commonly used … Continue reading →

Digital books still increasing

Skilled Workman Posted on by

There’s a lot of confusion among authors today. Primarily, it shows as: are digital books still increasing? The answer shouts back: Of Course! Here’s a quote from Jane Friedman’s post this morning Looking Back at 2016: “The market for adult fiction is primarily a digital one “It’s commonly said that in the United States, overall trade book sales are divided about 70-30 print-digital, and that ebook sales at traditional publishing houses are flat to declining. (You’ve probably … Continue reading →

InDesign CC 2017 whimpers in esoterically, under the radar

Skilled Workman Posted on by

Yes, I said that InDesign CC 2017 whimpers in under the radar. Version 12.0 has very little for me. Your usage may vary. But, this is all a normal part of the process as software matures. And, have no doubt, InDesign is matured—the best in the field. To restate things, InDesign can now do almost anything you need. It’s been that way for me since CC 2014. The result is that the engineering team adds features which apply to smaller … Continue reading →

Inexpensive German vanity press tredition?

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Here’s a link to a German self-publishing house that now is available in the US. It is a company named tredition. It seems like an inexpensive German vanity press — or maybe not. As usual, the devil is in the details. I imagine that as you get into letting them help you, the costs will go up very fast. But $299 to publish a hard cover, paperback, and ebook is a very good price. As a font designer, I enjoy … Continue reading →