8. No ALL CAPS As mentioned in the underline section, setting letters in all caps is the other way to emphasize words on a typewriter. Typesetting has many more options like italic, bold, bold italic, small caps. Plus we can use a larger size, a different font, a different color, and more. In fact, we must be careful we do not get carried away in our enthusiasm for all the options at our disposal. ALL CAPS IS … Continue reading →
For the past two decades, I have taught digital publishing skills. For the past fifteen years I have written and published books, both traditionally and on-demand. I have taught skills to present digital content transparently, effectively, and gracefully. I’ve learned how to present reader-centered books to my students and followers. But Word [and word processors in general] cannot do this. There are skills and capabilities that are necessary which are simply not available in Office. Here’s a … Continue reading →
6. Real quotes and apostrophes Here is another place where typewriters are limited by the lack of characters. All typewriters have is inch and foot marks. Quotation marks and apostrophes look very different. This is another typographical embarrassment when used incorrectly. There are more keystrokes you need to learn, though you can solve most of the problems by turning on Use Typographer’s Quotes in Type page of Preferences. The shortcut is Command+Option+Shift+’ by default to toggle this … Continue reading →
Niche writers to limited markets Here we begin to see the modern reality of publishing. The change is of the same type as we saw with the conversion in television from three, then four, gargantuan mass-market networks to the current reality of thousands of channels on cable and satellite. The same thing has happened in magazines where there are now over 10,000 magazines in the US alone. There are now millions of active blogs. We are currently … Continue reading →
5. Hyphens, en dashes, and em dashes The next major change we need to discuss is dashes. Typewriters only have one—the hyphen. Type has three—the hyphen, the en dash, and the em dash. All three have very specific usage rules. Hyphen: This is the character used to hyphenate words at the end of a line and to create compound words. For example, 10-point is the normal point size for book publishers’ body copy. In fact, hyphens are … Continue reading →
It’s very sad, but very beautiful if you were involved in print. An ultra-nostalgic look at the transition from print to ebook. It laments that ebooks aren’t permanent. But overall it’s a good video and thought-provoking. The future of print…epilogue
Continue reading →Writing within InDesign Here I am again recommending a road less traveled by—not unusual in my life and work. Before the choruses rise up in defense of other workflows, let me tell you my reasonings. I fully recognize that most people write in Word. What these people do not realize [in most cases] is this simple fact starts their book with a great handicap. If Word users are publishing their own book, they are missing out on … Continue reading →
Producing a KF8 Kindle book Until very recently, I gave some very explicit instructions for the construction of the HTML and CSS needed to step back in time to Amazon’s MOBI format. It was extremely limited in what was allowed. Designers are rarely good coders, and writers even less so. InDesign is the best tool we have at present, but there’s still a long way to go until some of the typographic niceties we rely on in print … Continue reading →
Tabs and fixed spaces Spaces cause many other problems for people trained in typewriting. On a typewriter, the spacebar is a known quantity. This is because every character in monospaced type is the same width—even the space. This is definitely not true for type. In fact, in type, the space band is often a different size than it was the last time you hit the key. This is caused by several factors. First, the word space character … Continue reading →
Space, space and a half, or double space? None of the above! This is why we use leading instead of spacing. Spacing is old typewriter terminology. The three options listed above were the only ones available for typewriters. In almost every case (unless you are trying to mimic a typewriter) a single space is too close, a space and a half is too far, and a double space is ridiculous. Again, the focus has to be on … Continue reading →