Hermann Zapf is dead…here’s a video of him working…
Here’s a brief historical article about Hermann Zapf from Creative Pro:
Continue reading →Here’s a brief historical article about Hermann Zapf from Creative Pro:
Continue reading →I decided to post this. It’s part of my new book, Practical Font Design Streamlined. I found as I was recording the videos for My Udemy course, Practical Font Design, that I had gradually developed a new, much faster, and more efficient workflow for designing fonts. It takes what was in the original three editions of Practical Font Design to a whole new level. This post is going to offer some pieces which will be referenced in the new book. … Continue reading →
There has been a disturbing trend lately of incredibly gorgeous fonts that make bad typography. How can that be? Beautiful typography has become very rare. To understand that, we need to look at what good typography is. I often tell my students and apprentices this general principle. Beautiful typography is not noticed! You notice and absorb the content. If you notice the typography or font, you are missing the purpose of your design. Here’s an example of a new font … Continue reading →
Here’s a fun article from CreativePro about the process. Many people do not realize that a lot of the “free type” and a good deal of the professionally designed type is made from or started with digitized characters from printed works using old letterpress fonts outside of the copyright period (normally pre-1940, at this point, in most cases). Doves Press type is one of those The link to the typespec.co.uk site gives more info on the discovery. … Continue reading →
There have been rumors around for several years now that multiple master fonts might not be gone completely, or that a new solution might be in the works. Nick Sherman wrote a long, but exciting article about the new possibilities on A List Apart. Superpolator (on the left) shows some exciting possibilities. My personal hope is for OpenType features in ePUBs. Variable type has some big guns behind it Recently, Adam Twardoch made a proposal along these same … Continue reading →
One of my Christmas presents to you this year is my video course for Practical Font Design using FontLab 5 on Udemy. It’s normally a $99 course. But: Until New Year’s Eve: Only $19.00 USD It would make an excellent gift also. It includes complete ebook copy of the PFD book which sells for $9.99. Use this link for the special price
Continue reading →Ebooks have been a mess until now. Actually, they still are in many ways. However, InDesign CC 2014 has truly solved most of the problems. It always did export the best PDFs. Now it exports very good ePUB FXL (fixed layout), reflowable ePUBs, and because Kindle will upload the reflowables converting easily, the Kindle problem is solved also. Wonderful that all our problems are solved, right? Well, you know better than that. Each format requires a redesign … Continue reading →
I was talking to a friend a couple days ago. He mentioned the primary trouble he has in using InDesign to format his books: when he gets into InDesign he can’t remember how to use it. Suddenly, it dawned on me that this is a primary reason why writing in InDesign is so effective. Not only is writing fully formatted in InDesign the best method of communicating clearly with your readers [outside of excellent content], the simple act … Continue reading →
CC 2014 virtually redid ePUB export—adding fixed layout & radically improving reflowable ePUBs Indesign has always been the best software for publishing: print & ebook. I have already posted quite a bit about the new software. Most of the improvements seemed to be focused on we self-publishers. But my book is also redone— in places quite radically. A review by Mary Campagna Findley for the CS6 version “David Bergland has challenged me to think beyond the writing, editing, and cover design … Continue reading →
This is probably the big news for InDesign CC 2014. Although there have been many improvements to Reflowable ePUBs, they are incremental. The ePUB FXL has the possibility of being almost revolutionary. So, how big is this change? It is very hard to show the differences because the layouts are so different. But, let’s look at two examples where I did the best I could to get the same content side by side. In this small-sized screen … Continue reading →