I found a good article today which explains many of the issues. My main issue with the conclusions is that I cannot be productive with a laptop. If you are just writing, an iPad with Apple’s wireless keyboard will do the job for you very well. The article misses my most important category of software apps: the Creative Cloud. My two most used apps [outside of Mail and Safari], are InDesign and Photoshop. I can easily see that … Continue reading →
Use a companion font for the heads & subheads This font family needs to be carefully chosen. It needs to have enough contrast to the body copy font to make the heads stand out. But it must have the same, or a very similar, x-height. This way you can use it comfortably for things like run-in heads, where the first few words in a paragraph are used as a contrasting low-level subhead. Your family choice should probably … Continue reading →
As typographers and book designers, we need a minimum three-font family—regular, italic, and bold: Italic is necessary for periodical names and emphasis. Bold is used for proper names and headers. As you saw at the start of this paragraph I used a bold through the colon to emphasize an important point. In my books I use my Bold Sans Serif. But regardless of which font family you choose it must satisfy several basic requirements of book design. … Continue reading →
Today, in the digital arena, a font is simply a complete set of characters for a given style: In InDesign, for example, a font can be set as any size from a tenth of a point to 1296 points. Below I am showing you the font used for my books, named Contenu Book (which I designed), showing some of the 563 characters available in it. Notice the three styles of numbers (among other things). Contenu Book This … Continue reading →
I’ve been working on the third edition of Writing In InDesign due out around the first of the year. As usual, I am writing a lot, rearranging everything, doing everything I can to make it more helpful and uplifting to my readers. It will also include the exciting new advances in ebook design and formatting now possible with InDesign CC. But this is just a quote about why we do what we do: ♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦•♦ So, I’m a writer … Continue reading →
How can I make it better the next time? This is the plaintive question I get every time after I have set up, formatted, and uploaded a book for a new author. It is also one of the most common questions I see in the FaceBook and Linked-In groups, Google+ communities, and specialized author forums in which I spend time. It is coupled with the question, “How can I get the print version set up?” There are … Continue reading →
In the ePUB world, it is amazing how much bad press is given to InDesign. In fact, the coverage given to coders and developers of ePUBs matches the hype received in the media by Obama. But we won’t go there. I just received yet another posting in an author group I am in this morning. The writer stated that InDesign does not handle embedded fonts in ePUBs well. This is simply untrue. In fact, InDesign ePUB export … Continue reading →
My handbook for the new breed of self-publisher is out! Why do you need to read this book? As I have become involved with the amazing variety of the new breed of authors—self publishing pioneers, it has been stunning to watch and listen as they discuss the problems they are having because they are working in Word. If they are dealing with quality issues, Word rarely has an answer. In fact, it’s sad to see that there … Continue reading →
As I have been experiencing, learning, teaching, and writing about on-demand self publishing over the past decade or two [I actually started self publishing ebooks in 1993 or 4], one area of book design has slid right past most of the new authors. This is quality. We won’t even discuss how quality dropped in the slide from letterpress to offset. That’s back in the dark ages, pre-digital. Silly person! That doesn’t matter any more. The one that … Continue reading →
The book is due out in May, 2013. It will be called: Practical Professional Self Publishing Handbook The book is written for those authors who recognize that professional production is key to having their books taken seriously. They are also tired of paying hundreds or thousands of dollars every time they release a book. In addition, they are sick of the need to be constantly contacting their designer to get special previews, gift editions, updates, and all … Continue reading →
