Fontographer: Practical Font Design for Graphic Designers

Fontographer book cover

Why do you want to use Fontographer?

For the fun of it!

When I received the opportunity to go back to my roots, and see what the new Fontographer was like, I was a little concerned. I had just spent nine years painfully teaching myself to letterspace by hand, to write OpenType features, and to become accustomed to the tool set of FontLab. Don’t get me wrong, FontLab is a great program and I am grateful for what I have learned. There are still a few features of FontLab that, as a professional font designer, I cannot do without. But I was taken by surprise.

Fontographer brought the fun back!

It is still the same marvelous program with which I first learned to design fonts. The drawing interface is still clean, clear, and elegant. It still works the way I have learned to work over the past two decades of digital graphic design. I found pleasure in drawing again. Fontographer is a wonderful drawing experience. It has been a real joy to experience that again. After nearly a decade in FontLab, font design is fun again.

Spiral-Bound Workbook $19.95
6×9 Paperback $19.95
Kindle Version $9.95
Amazon Paperback $19.95
PDF of the printed book $9.95
ePUB version $9.95
Nook version $9.95

To quote from the book:

“Fontographer is an application which appeals to experienced graphics designers with a background in PostScript illustration—especially those with FreeHand experience from version 7 and earlier. The majority of designers working in the mid-1990s had a copy of Fontographer. It came free with the FreeHand Graphics Studio first released in 1995—and everyone probably used it [at least a little].

Fontographer had [and still has] a unique and intuitive set of drawing tools that enable amateurs of that era to enter the world of font design. I’m talking amateurs in the sense that John Baskerville considered himself an amateur—as I also consider myself, though I am certainly not in Baskerville’s league. For me, font design is a beloved sideline with which I indulge myself. It’s become a treasured tool I use in my current trade—book writing, designing, and production.”

Practical Font Design 3rd Edition: This is the original FontLab book

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